-BOUNCE IN PLACE FOR THE LOVE OF CHRIST. I should not have to freeze and flatten an entire track, export to audio or manually record every damn time I want to bounce to audio. It should take no more than two mouse clicks on a single clip and it should be one unified process. -Bitwig/modular-style modulation. Not only should there be kickass native modulation devices that combine multiple LFOs, Envelopes and Sequencing all under one roof (with at least two destinations per modulator), but it should be possible for any audio signal at any point to be a modulator as well. All modulations should have both positive and negative values, as well as the ability to modulated themselves at least once, to whatever degree that doesn't compromise Ableton's minimalist philosophy of a decluttered, accessible program. -Make Granulator III native, add independent controls for grain size, length and density, the Cytomic filter algorithms, and a pitch envelope. -Where applicable, update the AAS instruments to be in line with their latest VST counterparts (if improvements that aren't effects related can apply). Fix the filter modulation parameter in Analog to be smooth and not obviously stepped whenever it is changed. -Update all effects where possible, and add new ones if desired. Pay particular attention to the "standard" effects of audio processing - L9 gave us a beautiful new EQ and Comps, so how about new Amps, Saturators and Mastering shit? -Make Convolution Reverb and some other instruments and FX from the M4L essentials pack native. -Consider adding a new instrument(s) if it would truly add to Live's workflow and capabilities (without necessarily trying to emulate VSTs or other software). Surprise us! -Consider ditching Impulse, especially given what we now have with Push. Add the time-stretching abilities to Drum Rack in some way, or something else. -TIMESTRETCHING AND WARPING IN SAMPLER.