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Description movie Live and Let Die (1973):
007 is sent to stop a diabolically brilliant heroin magnate armed with a complex organization and a reliable psychic tarot card reader.
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ojdsvsh457noey5ub346 First time Bond drives a bus First time there is a henchman with just one arm First time Bond buys something in a shop (the cloth snake in the voodoo shop) First time a plot has something to do with the supernatural (Voodoo) First time Bond does not appear in the pre-title sequence Live and Let Die is, to date, the only James Bond film to feature its theme song performed on-screen as part of the movie, namely when Bond and Leiter visit the Fillet of Soul in New Orleans (although the track is played in a different arrangement to that heard over the opening credits). Some may have been 1971 GT-150s or, less than perfect, 1972 models. Never Say Never Again (1983) After Moore was chosen, Billington remained on the top of the list in the event that Moore would decline to come back for the next film. Ian Fleming s novel of Live and Let Die found Felix Leiter being maimed by sharks and Bond looking for revenge. As soon as Bond arrives in New York, his driver is killed while taking him to meet Felix Leiter of the CIA. The driver s killer leads Bond to Mr. Big, a gangster who runs a chain of restaurants throughout the United States. It is during his confrontation with Mr. Big that Bond first meets Solitaire, a beautiful tarot expert who has the uncanny ability to see the future. In the film, a Harlem drugs lord known as Mr. Big plans to distribute two tons of heroin free to put rival drugs barons out of business. Big is revealed to be the disguised alter ego of Dr. Kananga, a corrupt Caribbean dictator, who rules San Monique, the fictional island where the heroin poppies are secretly farmed. The producers were reportedly required to pay protection money to a local Harlem gang to ensure the crew s safety. When the cash ran out, they were encouraged to leave. Some exteriors were in fact shot in Manhattan s Upper East Side as a result of the difficulties of using real Harlem locations. Ross Kananga suggested the stunt of Bond jumping on crocodiles, and was enlisted by the producers to perform it. The scene took five takes to be completed, including one in which the last crocodile snapped at Kananga s heel, tearing his trousers.
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