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Description book The Pure and the Impure by Colette:

Colette herself considered The Pure and the Impure her best book, "the nearest I shall ever come to writing an autobiography." This guided tour of the erotic netherworld with which Colette was so i...

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FULL BOOK The Pure and the Impure by Colette


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qv35myje0y9ub8m7toy Perhaps because Colette, having the triumphant myopia of a vain woman, refused to acknowledge her society as male-dominated, she sees no dilemma: there is no real choice: one is free. In the same year, the other writer, the one more nearly related to our pretty actress, began work as a journalist for Le Matin, which is how she met its editor. Renée Néré, music-hall artiste, prefers to go it alone in La Vagabonde, but Colette, Colette married and married well. Her marriage also sealed her fate as a journalist, which in turn sealed her fate as a novelist. Colette became literary editor of Le Matin in 1919, and thereafter was to work almost continuously in newspapers in one way and another, whilst also writing fiction, and acting from time to time. Only love can make you proud to be an also-ran. But Colette simply did not believe that women were the second sex. One of Goudeket’s anecdotes from her declining years is very revealing. He carried her in her wheelchair into a holiday hotel: the lobby filled with applauding, cheering fans – she was a national institution in France, after all. Colette appeared to be touched. Her novels are fiction and hence truth; the rest is journalism and so may bear only the most peripheral relationship to the truth – the relationship utterly modified by the eye of the beholder. There comes a time when a woman freely publicises her age so that people can say: ‘How young you look! For busy people, four opportunities means not having to worry about missing out! Feel free to just show up, whether you’ve finished the book or not. Whether one wishes to take on the name of one’s husband is a private, and, to the rest of the world, altogether insignificant, matter. Even if Virginia Woolf called herself, simply, Stephen, there would be no cause for alarm except, perhaps, amongst the lunatic fringe of American doctoral candidates ‘minoring’ in psychology. ‘Her achievement as a whole was extraordinary, though – apart from the Chéri novels and one or two others – not in a literary sense,’ writes Miss Carter. ‘She forged a career out of the kind of narcissistic self-obsession which is supposed, in a woman, to lead to tears before bedtime, in a man to lead to the peaks. Good for her.’ (Do I detect a note of envy in that brief schoolroom retort? Already an established writer (The Vagabond had received three votes for the prestigious Prix Goncourt), the decades of the 1920s and 1930s were Colette s most productive and innovative period. Set mostly in Burgundy or Paris during the Belle Époque, her work treated married life, sexuality, and the problems of a woman s struggle for independence. It was frequently quasi-autobiographical: Chéri (1920) and Le Blé en herbe (1923) both deal with love between an aging woman and a very young man, a situation reflecting her relationship with Bertrand de Jouvenel and even Goudeket, who was sixteen years her junior. La Naissance du Jour (1928) is her explicit criticism of the conventional lives of women, expressed in a meditation on age and the renunciation of love through the character of her mother, Sido. The Immoralist Andre Gide A Single Man Christopher Isherwood The Pure and the Impure Colette The Last of the Wine Mary Renault

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