Thanks for the link. Unfortunately when you read it, you realize just how full of shit the Canadian networks are and how they get around the rules.

For broadcast stations, the CRTC presently requires that 60% yearly, and at least 50% of prime-time programming, 6:00 pm to midnight, be of Canadian origin. In May 2011 the CanCon requirement for private television broadcasters was lowered to 55% yearly. Canada's public broadcaster, CBC, must still maintain 60% CanCon quota. However, historically, much of these requirements have been fulfilled by low-cost news, current affairs and talk programs in off-peak hours. It is usually not difficult to fill the daytime schedule with a sufficient amount of Cancon, often through reruns, while two-thirds of the latter requirement can be filled simply by airing an hour of news every night at 6 pm and again at 11 pm. As described above, often the remaining domestic content has consisted of low-cost science fiction or drama programming primarily intended for sale to the U.S. and elsewhere, and has aired on nights or in time-slots where it is unlikely to attract a large audience, freeing up other time-slots for American network programming. It is also a fairly common occurrence for stations to sign off during the overnight graveyard slots to reduce their Cancon liability.

Another increasingly common practice in recent years has been for the networks, instead of investing in new Canadian drama programming, to rebroadcast series that previously aired on Canadian cable networks

As well, Canadian commercial television networks increasingly schedule a large percentage of their Canadian productions to air in the summer season; although traditionally a season of low viewership, this practice has actually been beneficial for Canadian television productions, as a widespread viewer preference for new programming over off-season repeats has resulted in these series improving their ratings in Canada, as well as increasing their chances of gaining a lucrative sale to one of the big four American networks, a revenue stream which is generally unavailable during the fall and winter television seasons.