It's your lucky day OP. I am bored and procrastinating work, so I will give it my best. Now, to understand the song you need a little background. This is a Sufi Gnawa song. In short, Gnawa are a people originating from west Africa who inhabit North Africa, and Sufism is a very spiritual and mystical interpretation of Islam, Sufis (many of them at least) believe in different levels of spirituality and that the highest levels are only achieved by a few extremely devoted and spiritual people who reach a holy level of connectedness with god/Allah. After those people die, their tombs serve as a medium between people and god/Allah. This song is about two of those people, the Gnawi (a male of Gnawa), whose name is not specified, and the Gnawia (a female of Gnawa), also referred to as Sudania (The Sudanese, which in some cases might mean dark skinned). Gnawa and Sufis both have special vocabularies and terms and many of those are used in the song, which, along with being written in an older, French-free darija and the sound being filtered so much, makes it really hard for the average Moroccan to understand. This doesn't sound like it is the original song, these songs are usually pretty old and it is really hard to find any information, if any, about them on the internet. Moreover, There are many shout outs in the song which really mismatch the lyrics. I'm really surprised that Death Grips got their hands on the song, I could hardly find it in one other place. Lyrics starting from [0:12] Woman: Lhadra Lhadra Man: Allah Allah Allah, Allah Oh our lord. My master Mohammed, The prophet, messenger of Allah. x2 Woman: [I am] a guest of Allah, Oh Gnawi, I came to visit and heal, heal me with your remedy Man in the background: Heal me with your remedy. Woman: I am Mejdoub* and empty, I cense myself with Jawi, and I spend the night under your protection. x2 Man in the background: And I spend the night under your protection. Woman: Shout out to Maria and the people of Melwia. Shout out to Ismael Driss and the people of Meknes. Woman: Oh Ganwi [whose] signs manifested, [animal] sacrifices held on your door, Oh my masters it surprises horrors. x2 Woman: He crafts a melody with his speech, and if he moves his feet, he sparks those of hal. Man: Allah Allah Allah, Allah Oh our lord. My master Mohammed, The prophet, messenger of Allah. x2 Woman: Serving Lalla Mimouna, she of Righteousness and the olive. Pardon, Oh Gnawia. Man in the background: Pardon, Oh Gnawia. Woman: A crazy spiritual, she lived possessing and possessed. Pardon, Oh Sudania. Woman: Serving Lalla Mimouna, she of Righteousness and the olive. Pardon, Oh Gnawia. Man in the background: Pardon, Oh Gnawia. Woman: A crazy spiritual, she lived possessing and possessed. Pardon, Oh Sudania. Woman: Shout out to Driss Elfassi, and the people of Tamessilt, the people of [inaudible], and the people of [inaudible] one by one. Woman: [I am] a guest of Allah, Oh Gnawi, I came to visit and heal, heal me with your remedy Man in the background: Heal me with your remedy. Woman: I am Mejdoub and empty, I cense myself with Jawi, and I spend the night under your protection. x2 Man: Allah Allah Allah, Allah Oh our lord. My master Mohammed, The prophet, messenger of Allah. x2 *: Mejdoub can mean many things, but in a Sufi context, it means a state where a person reaches a level of spirituality so high (pun intended) that they are no longer conscious of what is happening around them. *: Jawi is a kind of incense used for many rituals. **: I think what that means is that since sacrifices in tombs are supposed to repel bad fate and horrors, this one is so powerful that it surprises (or scares) the horrors away. *: hal or Al hal literally means the state and in Sufism it means a spiritual state. The song turned out to be way more interesting than I thought and the lyrics sounds so poetic in Darija, which I wouldn't have guessed from the way the song sounds. I could write a whole lot more about this but it is 4:23 am and I have a midterm on Monday. I will gladly answer any questions you have tomorrow, and I'll add a bit more to put some context around the song and what I think might be the reason why Death Grips used it.