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Description book Last Orders by Graham Swift:
Last Orders is a 1996 Booker Prize-winning novel by British author Graham Swift.The story makes much use of flashbacks to tell the convoluted story of the relationships between a group of war v...
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qv35myje0y9ub8m7toy He lives in London, England. Last Orders is a 1996 Booker Prize-winning novel by British writer Graham Swift. In 2001 it was adapted for the film Last Orders by Australian writer and director Fred Schepisi. The story makes much use of flashbacks to tell the convoluted story of the relationships between a group of war veterans who live in the same corner of London, the backbone of the story being the journey of the group from Bermondsey to Margate to scatter the ashes of Jack Dodds into the sea, in accord with his last wishes. But faced with the blunt reality of death, these memories seem like small eddies in the flow of events which have brought them to this present moment. Could they have changed anything? Can they change anything now? Last Orders shows Graham Swift writing at his best, and he well deserves the nomination for the Booker Prize. My answer links with my previous one. Yes, I gave a lot of thought to the order in which the stories appear. I wanted it to be the sequence that would best serve reading the book as a whole. People who ve already read the book have told me that it works in that way: that one story somehow flows into another, that there are echoes across them, that the whole experience is even rather like reading a novel. It s not quite that straightforward. I hope my novel, as all novels should be, is a highly articulate thing. But, yes, I had to be careful that the vocabulary didn t stray too far beyond Jack s mental range. Unusually for me, the novel is written in the third person. In an interview with identitytheory.com in 2003, you stated that Literary culture is pretty damn old. It is what it is and has reached its maturity and is maintaining its maturity and doesn t need to do something to carry on being what it is. You also expressed concern that marketing departments for the publishing house have become more important than the editorial ones. Do you feel that the power of storytelling is still driving the book world or are literature and business too much at odds for publishing to serve either sufficiently well? It s a question of priorities, of things being in the right order. The most recent novel, Wish You Were Here (2011) is a rural family drama set in Devon, and recalls the enveloping charm of Waterland in its tale of young lovers and the revelatory depictions of the powers of landscape. This was another leisurely and restrained character portrait, taking us inside the mind of the farmer protagonist Jack as he considers suicide on a caravan site on the Isle of Wight. Swift’s narrative flexibly offsets the often reticent musings of its character against a more omniscient guiding voice, is a development that commands more of a force than the strictly-maintained interior monologues of his previous works had managed to do. Carol Birch once again critiqued the novel, described the work as “not a book for impatient readers”, and this might be considered a touchstone comment for Swift, a writer whose attentiveness to the minutiae of evolving inner consciousness operates at a pace that, when it works, is thoroughly beguiling and seductive.
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