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Description book The Poems of John Keats by John Keats:
John Keats (/ˈkiːts/; 31 October 1795 – 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets along with Lord Byron and Percy Bys...
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qv35myje0y9ub8m7toy He enjoyed a month with them, blissfully under the constant care of his beloved Fanny. Possibly bolstered by his finally having unrestricted time with her, and able to imagine a happy future with her, Keats considered his last hope of recovery of a rest cure in the warm climes of Italy. As a parting gift Fanny gave him a piece of marble which she had often clasped to cool her hand. In September of 1820 Keats sailed to Rome with friend and painter Joseph Severn (1793-1879, who was unaware of his circumstances with Fanny and the gravity of his health. Keats put on a bold front but it soon became apparent to Severn that he was terminally ill. For here Keats explored what it would mean to him to strive to think divinely, to have a poet s imaginative vision while absorbing the sights and sounds of nature in a kind of Wordsworthian wise passiveness. As so often in Romantic poetry, a poet s complaint at being unable to have a vision itself becomes a vision of what he might see if he were a true poet. After fifty lines or so of such inspiration, though, Keats breaks off— And should I ever see [visions], I will tell you / Such tales as must with amazement spell you —in favor of a long, discursive speech by a dying poet who celebrates the joy he has brought the world. Despite the sketchiness of the effort, and Keats s obvious frustration with himself, this poem and the other Margate epistle, To Charles Cowden Clarke, are remarkable for their brave and serious tone of self-exploration. One of these meetings was social gathering Haydon dubbed his Immortal Dinner, attended by Keats, Wordsworth, Lamb, Reynolds, and others. Here Keats read his Hymn to Pan from Endymion, Wordsworth pronouncing it a very pretty piece of Paganism. Although it is not clear that Wordsworth meant to belittle the verse, the tone of condescension was not lost on Keats or his friends. Keats was not overly hurt, however, since he saw Wordsworth several times more in London, dining with his family on 5 January 1818. But imagination needs temporality to do its work. It then tantalizes us with a desire to experience the eternity of the beauty we create. But again, no real experience is possible to us-as the central stanzas suggest-apart from time and change. Imagination seems to falsify: the more the poet presses the bird to contain, the more questionable this imaginative projection becomes. 17-27, 1819, to his brother and sister-in-law George and Georgiana Keats. John became the oldest male in his family, and, to the end of his life, felt a fiercely protective loyalty to his brothers and sister, Fanny Keats. 216 poems of John Keats. More pressing, perhaps, was his growing eagerness, in the exciting political climate of Napoleon s brief return from March until the Battle of Waterloo in June, to make some contribution as a poet to the liberal cause. The reader notes in this poem the frequent enjambment for which Hunt himself had argued, against the masculine (strong-syllable) rhymed, end-stopped couplets of Alexander Pope; Hunt also disliked median caesurae, arguing for the fluidity of lines that paused later, after weak syllables.
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