Nevertheless it's impossible to pick one album from that project. How do you decide which one is better than the other 49?

★仮想夢プラザ should have particular treatment because of this, though i don't think it's impossible to pick one, at least not as an appetizer, take 夢愛 for e.g., the only 仮想夢プラザ's project released explicitly as a concept album -a very cool concept btw- , easy listening, may be the right entry to 仮想夢プラザ's music. of course, i'm not calling it better than any of the other releases (。・_・。)★

Now I have a question for you: those pieces are albums or tracks? Some listeners may consider them as single tracks, very long indeed, but single tracks.

★i get this point and yeah, i also consider them single tracks★

Then what you call compilation would be an album

★i fail to see how the first point translates into this ~（•̪●）~★

and as an album it has cohesion, coherence, a beginning, a middle and an end: it makes sense to me.

★mmm... this may be the best point of yours, i'll discuss it in some days when i had listened to the album in it's entirety once again

♪ ♬ ヾ（´︶`✿）ﾉ ♬ ♪★

That said, according to your reasoning we should not put in the guide something like ロストエデンへのパス by Nmesh and Telepath just because it's very long, heavy and obscure...

★you got me totally wrong there, i said: "to deam a 15/16 hr. album essential would be inconsiderate and unfriendly, even if true (...)" regardless of the album, it's the length that may threw people off, remeber that the idea is to get people into the music, not to scare them away. I'd definitely choose something by 仮想夢プラザ for people to get into it's music, that's why i deem 夢愛 perfect for it.

also, you're crazy if you compare ロストエデンへのパス's length to the one of 仮想夢プラザ （″･ิ＿･ิ）╯★