Yes, lots of the visuals are super odd. Not going to dispute that at all.

What he does very well is explain why it’s technically possible to control your environment using mechanical facts. He does this differently than anyone I’ve ever seen, but in a way that actually causes lots of pieces to fit together.

I found him right after Neville and it blew my mind, but the original work I saw, “Advanced Portrait Painting Using Universal Line” is gone now and he’s replaced it with several new and different versions since then. I read the latest version of the PDF and he’s changed it quite a bit. Nonetheless, I definitely got something out of the work.

Not going to dispute the roughness or the other odd parts.